Class:

This program is intended for teaching the subject “The Art of Tatyanka Wood Carving” in the system of additional education, in art classes and as an elective course. The program is designed for 2 lessons per week for 2 hours or one lesson lasting 4 hours.

Wood has always been and remains one of the most attractive ornamental materials. It is not only easy to process using a simple set of traditional tools, but also beautiful in decorative terms.

It should also be taken into account that the practical and technological aspect of training does not require such a significant update of the material base. Such activities do not require a specially equipped room, any complex devices, or scarce tools and materials. Therefore, such classes can be organized in almost any educational institution on the basis of educational workshops or in any school office, without any large additional material costs.

The “Tatyanka” carving is large-scale, creative, with many different elements, from small to very large, from primitive to highly artistic, and at the same time very sophisticated.

In terms of teaching methods, classes in the concept proposed by the authors are entirely based on the ideas of developmental education, since the program provides for the consistent complication of tasks. Methods of health-saving technologies are used. The tasks that students have to complete are aimed at developing in them, from the first lessons, not only the skills of the “Tatyanka” carving technique, but also the motor sphere and creativity. The training includes mandatory homework, in the form of copying special drawings and independent compositional drawings from life.

Purpose of the program to acquaint school students with the heritage of artistic woodworking, instill a love for this traditional artistic craft, teach practical skills of “Tatyanka” wood carving, and the ability to create their own creative compositions.

Program objectives.

Educational:

to form skills - precise, error-free actions, brought to automatism by repeated repetition;
to develop skills - a combination of knowledge and skills that ensure the successful implementation of activities;
to form an idea of folk arts and crafts located on the territory of Russia;
develop safe work skills when working with wood;

Educational:

speech development: enrichment and complexity of its vocabulary; complication of its semantic function;
development of thinking: learn to analyze, highlight the main thing; teach to compare, generalize and systematize;
development of the sensory sphere: development of the eye, accuracy and orientation in space;
development of the motor sphere: development of motor skills of small muscles - the ability to control one’s motor actions; development of motor dexterity, proportionality of movements.

Educators:

instilling hard work and introducing children to the origins of Russian folk culture;
fostering a high communicative culture;
nurturing a tolerant consciousness of the younger generation

It is structured in such a way that students become familiar with all the main traditional types of artistic wood carving, gain knowledge on the technology of making carved wood products and their finishing, information about tools for performing artistic carving, and become familiar with the rules of safe work when carving. Gain professional skills in the production of commercial products.

An important step on the path of students creating independent compositions is performing the “Tatyanka” carving, learning from samples. This teaching technology allows you to understand and master not only the different types and techniques of this carving, but also typical compositions of wood carving. The sketches created during training should be considered as a valuable methodological foundation, on the basis of which students develop their own further creative compositions.

After completing the course of study provided by the program, students should know:

on the classification of types of thread;
about the history of the emergence and development of the local craft of artistic wood carving;
about the collection of works of folk decorative and applied art and, in particular, about samples of artistic wood carving
about the characteristic features of local artistic wood carving;
about the complete process of manufacturing carved artistic products at a folk arts and crafts enterprise;
safety rules when processing artistic products;

Students should be able to:

draw from life and make compositional diagrams from them;
make sketches from samples of folk arts and crafts;
develop independently simple wood carving compositions based on the “Tatyanka” carving technology;
own a wood carving tool;
master the technical techniques of “Tatyanka” carving;
perform all stages of wood carving, including finishing operations of finished products.

The teacher must use the program creatively, based on specific working conditions and the level of preparation of students.

Thematic plan

Lesson number	Subject	Number of teaching hours
Study and mastery of flat-relief wood carving “Tatyanka” - 272 hours 1 year of study
1	The image of the world in artistic carving. Classification of types of wood carving. Wood carving “Tatyanka”	2
2	Carver's workplace. Rules for safe work when carving “Tatyanka”. Wood carving “Tatyanka” with plant elements.	2
3 - 20	Carving a fragment of a linear floral ornament in low flat relief. Carving technique “Willow”:
21 - 22	Decoration of the leaf surface with notches	4
23	Composition in carving. Scanography.	2
24 -45	The specifics of the pattern in carving.. Carving on rectangular surfaces.	44
46 - 68		46
Total for 1 year of study		136
2nd year of study
1 - 17	“Muravka” carving technique and butterfly cutting	34
18 - 28	Development of a carved composition and its implementation in material (cutting board)	22
29 - 39	Development of a carved composition and its implementation in material (box)	22
40 - 50	Carving technique “Daisies”	22
51	Cutting on spherical surfaces	2
52 - 68	Development of a carved composition and its implementation in the material	34
Total for 2 year of study		136
Study and mastery of relief wood carving “Tatyanka” With carved background - 136 h 3rd year of study
1 - 3	Carving technique “Alpine rose”. Cutting the outline of the flower core and cutting out the first row of flower petals	6
4 - 6	Cutting the outline of the flower and cutting out the flower petals	6
7	Cutting the outlines of the stems and berries and cutting out the stems	2
8 - 9	Lowering the background	4
10	Lowering leaves to different levels	2
11 - 12	Leaf separation stage	4
13 - 14	Lowering the base of the leaf under the flowers	4
15 - 16	Cutting bunches of berries	4
17 - 18	Flower petals dropping	4
19 - 20	Rounding the flower core	4
21 - 22	Making curved leaves	4
23 - 24	Dropping berries	4
25 - 26	Rounding the berries at the top and stem	4
27 - 28	Surface decoration around the berries and under the branch	4
29 - 30	Rounding the flower and berries	4
31 - 32	Decoration of the sheet surface with notches	4
33 - 34	Creating a background from cut-out cells and the “Scales” technique	4
35 - 44	Development of a carved composition and its implementation in the material (Carving technique “Scales”)	20
45 - 68	Development of a carved composition and its implementation in the material (Carving technique “Alpine rose”)	48
Total for the 3rd year of study			136

PROGRAM

Study and mastery of flat-relief wood carving “Tatyanka” - 272 hours

1 year of study

The image of the world in artistic carving. The concept of the types of wood carving (house, flat-relief, relief, flat-notched, through, sculptural, “Tatyanka”). Wood carving “Tatyanka” (2 hours)

Brief information from the history of a form of fine art such as wood carving. The possibilities of wood carving, its connection with the directions of modern real development of society. Classification of types of wood carving. Materials used for wood carving. Preparation of material. Tools for carving “Tatyanka”, preparing tools for work. Rules for translating a drawing onto tracing paper.

Practical work: “Translating a drawing (a fragment of a floral ornament) onto tracing paper and onto an A4 sheet”

Carver's workplace. Rules for safe work when carving “Tatyanka”. Wood carving “Tatyanka” with plant elements. Carving technique “Ivushka” (2 hours)

Organization of the carver's workplace. Rules for safe work when carving “Tatyanka”. Technology for carving with plant elements. Techniques for holding a knife and chisel. Notches. The order of making a cut and typical mistakes when making cuts.

Practical work: “Transferring a drawing (a fragment of a plant ornament) onto a teaching board and making flat-relief carvings on a teaching board”

Carving a fragment of a linear floral ornament in low flat relief (36)

Relief carving, “braided”, “braided”, “alternating braided”. Sharpening and dressing of tools. Rules for the position of the chisel. Safe work rules. Correction and restoration of the outline of the drawing. Profession of wood carver.

Practical work: “Cutting a fragment of a linear floral ornament in low flat relief”

Decorating the leaf surface with notches (10 hours)

Technology for making notches on the surface of leaves. Errors when performing notching.

Practical work: “Performing notches on the surface of leaves”

Composition in carving. Scanography (2 hours)

Principles of compositional construction in art. Simple solutions for compositions for practical carving. Scanography. Methods for obtaining herbariums.

Practical work: “Drawing from life and drawing up compositional diagrams”

Specifics of the design in the carving. Carving on rectangular surfaces (cutting board, box) (40h)

General information about the drawing. Specifics of the design in the carving. Technology for carving on rectangular surfaces. Product finishing. Safe work rules.

Practical work: “Cutting on rectangular surfaces (cutting board, box).”

Development of a carved composition and its implementation in the material (44 hours)

Composition in carving. Strategy and tactics of the work process. Plastic. Requirements for the product. Safe work rules.

2nd year of study

“Muravka” carving technique and butterfly cutting (34 h)

“Muravka” carving technology. Depth of cutting leaves. Animalistics. Safe work rules.

Practical work: “Transferring the drawing onto the teaching board and making the “Muravka” carving on the teaching board”

Development of a carved composition and its implementation in material (cutting board) (22 h)

Options for cutting out leaves and patterns of butterfly wings. Compositional analyzes of products. Product finishing. Safe work rules.

Practical work: “Transferring a drawing onto a cutting board and making a carving “Muravka”

Development of a carved composition and its implementation in material (box) (22 h)

Compositional analyzes of products. Product finishing. Safe work rules.

Practical work: “Transferring the drawing onto the box and carving “Muravka”

Carving technique “Daisies” (22 h)

Technology of carving “Daisies”. Types of petals and their arrangement. Safe work rules.

Practical work: “Transferring the drawing onto the teaching board and making a carving of “Daisies” on the teaching board”

Carving on spherical surfaces (2 hours)

A feature of carving on objects that have a curved, cylindrical, spherical or cone-shaped shape. The ornament of the drawing, its composition.

Development of a carved composition and its implementation in the material (34 hours)

Requirements for the product. Safe work rules.

Practical work: “Carving a simple product.”

Study and mastery of relief wood carving “Tatyanka” with a carved background - 136 hours

3rd year of study

Carving technique “Alpine rose” (6 hours)

Technology of carving “Alpine rose”. Transferring the drawing onto tracing paper and onto the blackboard. Cutting the outline of the flower core and cutting out the first row of flower petals

Cutting the outline of the flower and cutting out the flower petals (6 hours)

Technique for cutting out the second row of petals. Methods for cutting out Alpine rose petals. Safe work rules.

Practical work: “Cutting the outline of a flower and cutting out flower petals”

Cutting out the outlines of the stems and berries and cutting out the stems (2 x)

Rules for trimming contours. Technique for cutting stems. Safe work rules.

Practical work: “Cutting the contours of stems and berries, cutting out stems”

Background reduction (4 hours)

A technique for cutting off the background to reduce it. Safe work rules.

Practical work: “Cutting off the surface of a blackboard to reduce the background”

Lowering leaves to different levels (2 hours)

Technique for lowering leaves to different levels. Safe work rules.

Practical work: “Cutting leaves to different levels”

Leaf separation stage (4 hours)

Rules for dividing leaves. Safe work rules.

Practical work: “Dividing leaves into different levels”

Lowering the base of the leaf under the flowers (4 hours)

The technique of lowering the base of the leaf under the flowers. Safe work rules.

Practical work: “Lowering the base of the leaf under the flowers”

Cutting bunches of berries (4 hours)

Rules for cutting bunches of berries. Safe work rules.

Practical work: “Cutting bunches of berries”

Lowering flower petals (4 hours)

Flower petal lowering technology. Safe work rules.

Practical work: “Lowering the petals of a flower”

Rounding the flower core (4 hours)

Technology for rounding the flower core. Safe work rules.

Practical work: “Rounding the core of a flower”

Making curved leaf shapes (4 hours)

Technology for making curved leaf shapes. Safe work rules.

Practical work: “Making curved leaf shapes”

Lowering berries (4 h)

Sequence of lowering berries. Safe work rules.

Practical work: “Lowering berries”

Rounding the berries at the top and stem (4 hours)

The technique of rounding the berries on top and the stem. Safe work rules.

Practical work: “Rounding the berries from above and the stem”

Surface decoration around the berries and under the branch (4 hours)

Surface design technology around the berries and under the branch. Safe work rules.

Practical work: “Designing the surface around the berries and under the twig”

Rounding the flower and berries (4 hours)

Reception of rounding the flower and berries. Safe work rules.

Practical work: “Rounding the flower and berries”

Decorating the sheet surface with notches (4 hours)

Rules for decorating the surface of a sheet with notches. Safe work rules.

Practical work: “Decorating the surface of a sheet with notches”

Creating a background from cut-out cells and the “Scales” technique (4 hours)

Creating a background using seed flakes. Typical mistakes when creating a background. Carving technique “Scales”. Safe work rules.

Practical work: " Creating a background using seed flakes”

Development of a carved composition and its implementation in the material (Carving technique “Scales”) (20 h)

Development of a carved composition and its implementation in the material (Carving technique “Alpine rose”) (48 hours)

Requirements for the product. Product finishing. Safe work rules.

Practical work: “Carving a complex product.”

Sasykov Sh., Artistic wood carving “Tatyanka”: Textbook. 1st ed., - M.; ANO “Tatyanka”, 2005 – 240 pp.: ill. (Series “Higher School of Wood Carving”)
DECO magazine (hobbies & decor) No. 3/24/2007
Magazine Artistic wood carving “Tatyanka” No. 1 (1) – August 2004.
Magazine Artistic wood carving “Tatyanka” No. 2 – 2006.
Magazine Artistic wood carving “Tatyanka” No. 3 - 2006.
Magazine Artistic wood carving “Tatyanka” No. 4 – 2006.
Magazine Artistic wood carving “Tatyanka” No. 5 - 2006.
Magazine Artistic wood carving “Tatyanka” No. 6 – 2007.
Magazine Artistic wood carving “Tatyanka” No. 7 - 2007.
Magazine Artistic wood carving “Tatyanka” No. 8 – 2007.
Magazine Artistic wood carving “Tatyanka” No. 9 – 2007.

Carving has been associated with a particular area since ancient times. For example: in the north, where walruses live, this bone craft is developed. In areas of stone caves and deposits of semi-precious stones, the art of processing them is widespread. Due to the large areas in Russia occupied by forest, wood carving is widely developed. There are many methods of this needlework, and more recently another one has appeared - artistic wood carving “Tatyanka”.

The history of the origin of wood carving begins from the time when humanity first learned to use and process this material. This is due to the fact that at that time it was the most accessible and widespread material. Even in the distant past, our ancestors knew that wood has very valuable qualities, namely:

waterproof;
thermal insulation;
low density;
various texture patterns.

In addition, many types of wood are very easy to harvest and process. In the old days, almost all buildings and household utensils were made from this material. Since ancient times, people have tried to decorate their lives by creating masterpieces of wood carving. Moreover, this method of needlework developed in many countries, which left its mark on unique features, techniques and styles.

Wood carving not only decorated household utensils and buildings, but also carried a deeper ideological meaning. The simplest geometric flat-relief works appeared first. By decorating their home, craftsmen hoped that in this way they would protect it from the influence of evil spirits, while attracting the bright forces of life, fertility and longevity. In addition, they created small figurines of gods that guarded their household.

Regional and author's styles

Due to the fact that many regions differ in the types of trees, climate and way of life, corresponding regional styles of this applied art have appeared. In addition, some masters who come from different schools of wood carving, who have achieved success in this creativity, create their own new methods. Many of them organize exhibitions and win awards and become famous throughout the world. It is worth noting the following styles of this decorative and applied art:

Separately, it is worth noting the “Tatyanka” style, which appeared at the end of the last century.

Author's style "Tatyanka"

This is a patented style of original wood carving, developed by master Sh. Sasykov, who named it after his wife. This master created a manual called “Russian Wood Carving”. Thanks to this book, many masters of this needlework were trained. Currently there are more than 10 thousand of them. The peculiarity of this style is that Using a special tool, the material is processed only once. This method is faster than other artistic methods.

Selecting material for the product

The wood for processing must be even and smooth. The presence of knots is allowed, which will have to be bypassed during processing. The best wood for this method is linden, which is easy to work with and is especially suitable for beginning carvers. When choosing a board, you need to pay attention to the end so that it is dense and uniform.

The location of the fibers is also of particular importance. It is advisable that they be located along the board, since placing the fibers at an angle will lead to unclean and splintered cuts.

It is also not recommended to expose the boards to moisture and keep them closed in a bag. This can lead to damage to the surface and the appearance of bacteria on them. It is best to store the material in rooms where there is no heating or sudden temperature changes.

Characteristics of the workplace

When using this method, great attention should be paid to the equipment and maintenance of the workplace. Any flat surface will suit the young master: workbench, stool, table, window sill. The best place would be a table or workbench, as they are heavy and have a flat top. A drawing board or piece of plywood will work well. laid out on any flat surface.

The board with which the master will work is not secured in any way and is in a free state. The workplace must have sufficient lighting so that the student does not have to strain his eyesight under any circumstances. It is best if the light is diffused and does not reflect from the table surface. The board must be moistened periodically, but not very much, to facilitate processing. Usually, masters gradually determine the degree and frequency of moisturizing themselves.

Carving tool

To make it easier to learn this carving method, It’s worth using the Tatyanka toolkit. This set is specifically designed for working on plastic surfaces. If you use other tools, this will greatly complicate the learning process, which will take much longer and the result will be worse. To make the simplest ornaments, 2 chisels and a knife with an oblique blade are usually used.

The chisels have a semicircular profile; if you place it perpendicular to the board and turn it around the axis, you get a circle. However, the most important tool for a beginning carver is a knife with an oblique blade. It is this tool that students begin to use. The width of its blade should be between 15-25 mm, and the thickness should be no more than 1.5 mm.

When starting to learn this creativity, you should remember that artistic wood carving requires constant training, which allows you to gradually improve the skills of creating carved products.

Recently, this type of needlework, such as designer wood carving, has become especially popular. Artistic wood carving “Tatyanka”, wood carving “Russian” is a fascinating form of leisure and an excellent hobby that does not require serious material costs. Different types of artistic wood carving are suitable for both adults and children of high school age.

Carving in the “Tatyanka” style is often practiced by schoolchildren (both boys and girls) in clubs and art classes, as well as adults who are not indifferent to beauty. There is an official website Tatyanka.ru - this portal is dedicated to the author’s wood carving center “Tatyanka”, which teaches carving in the “Tatyanka” style. And the magazine “Artistic woodcarving “Tatyanka”” is a guide to the wonderful world of woodcarving, which is addressed primarily to technology teachers, but also ordinary woodcarving lovers, whose best friends are chisels and chisels, will find a lot of interesting things there.

Necessary for work tools can be purchased in stores that sell everything for wood carving and creativity.

There are many different styles of wood carving around the world. Many of them require the purchase of rare types of wood and expensive tools, as well as many years of painstaking training in technology. Of all the types of tenderloin, the type “tatyanka” stands out because it does not require long training. The operating technique is very simple. Everything you need for work can be found at home or bought in specialized stores. So, before starting work, the master of artistic carving “Tatyanka” must first prepare:

In order to better understand the technology of working with wood, it is recommended to watch a training video or attend a master class by experienced carvers. You can also find out all the details about the Tatyanka carving technique by visiting art exhibitions of domestic masters of decorative and applied arts. As a rule, during each woodcarving exhibition, creative meetings are held with the artists-authors of the works, during which you can get answers to all your questions.

Take a look at the gallery and you will see what masterpieces a wooden box and a simple cutting board can turn into!

Gallery: wood carving in the Tatyanka style (25 photos)

Wood carving school: how to become a real master of Tatyanka carving

In order to understand and comprehend all the intricacies of working with such an interesting and noble material as wood, it takes time. Nevertheless, mastering the “tatyanka” carving technique is quite simple, The main thing– patience, attentiveness, ardent desire and a creative approach to business. For beginners, soft woods are recommended because they are easier to work with. The color of the wood can be any.

The finished work can be treated with a special varnish (stain) or painted. But still, the work in which all the wealth is fully preserved will look more impressive. natural wood colors.

In order for the finished work to last as long as possible, all famous carving masters pre-treat wooden blanks with a water-repellent and antifungal composition. If these rules are neglected, the work may suffer greatly in the future due to improper storage conditions. It is also necessary to ensure that the material intended for work is not initially damaged. For example, you should not use wood that is covered with mold or damaged by bugs to make a product.

How to create masterpieces of wood carving: practical recommendations

In order to master the technique of wood carving and create real hand-made masterpieces using this technique, you must take into account the following practical recommendations:

Using the wood carving technique, you can make original gifts for family and friends. The main thing is to show your imagination and carefully study the natural texture of a piece of wood before starting work. This will help you approach your work creatively and most fully convey the beauty of the tree. Woodworking is a great hobby developing imagination, spatial thinking and fine motor skills, as well as artistic taste. Visiting exhibitions and master classes will help you experience beauty more fully and delve deeper into the specifics of working with wood.

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Khatskevich Yu.G. (ed.)
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Series: My profession
Russian language
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Russian language
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Format: DjVu, Scanned pagesPublisher: Phoenix
Russian language
Number of pages: 223
Description: In this book, the reader will find fairly complete information on the now almost forgotten type of decorative and applied art - burning (pyrography). Here we discuss important aspects of this oldest of crafts: materials and tools for burning, features of working with wood of various species, decorative crafts, and an overview of folk crafts using wood. Also in the book you can find a lot...

This tutorial is a reference book and guide for wood carvers in the Tatyanka style. It is addressed primarily to teachers of technology, fine arts in schools, masters of folk arts and crafts - all those who would like to teach Tatyanka carving lessons, as well as those who like to make things with their own hands: men and women, pensioners and the disabled, children and adults - all people, regardless of their age and physical abilities.

From the book you will learn:
- how to master Tatyanka without leaving home and without enrolling in special courses
- how to choose the right wood (humidity, age), how to store it, what blanks are suitable for the job
- what tool is needed (steel, types, how to edit and extend the life of your chisel)
- how to correctly create a composition for working from wood, what rules exist
- why does a carver need modeling?
- how to provide yourself with fresh leaves in winter or how to make a long-lasting herbarium
- how to learn to draw and train your hand
and much more.

This is a training manual not only for carvers in the Tatyanka style, but also for everyone who is interested in carving and wants to become not just a carver, but a carver-artist. A wonderful gift for yourself and your friends.

More about the book
The principle of the tutorial is not “look how you can master carving”, but “let’s try to discover the wonderful world of carving with us through trial and error.” Carving lessons and practical exercises are presented in the tutorial in detail, step by step, with the necessary drawings, photographs and explanations. The author tried to foresee and answer all the questions that may arise from a reader who is independently learning the basics of wood carving. It should be noted that the implementation of only new elements is covered step by step, and variations of those already studied are left for independent work. Thus, a flexible scheme for mastering carving is created, which includes a system of repetitions and gradual mastery of new things. This is especially important for the practical application of the information obtained, when different variations of techniques are appropriate for certain forms of products. The author embodies an innovative method of presenting a carving course in the manual. In one publication, the carver is given all the information necessary for his education: the basics of drawing, composition and perspective, plastics, the history of art and traditions of folk arts and crafts both in Russia and abroad, not only their rich past, but also modern state. The reader who decides to engage in carving can obtain all the necessary information about the preparation, use and storage of wood, selection and sharpening of tools. To make it easier to find information, the material in these sections is grouped in the form of separate, self-sufficient, but interconnected blocks.

Re-release is in preparation!